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Look it in the Eye
Art Appreciation Blog. NSFW posts will be tagged
[ 11306 ]
— 06 May
► Reblog

callowyn:

feul:

Metamorphose by Frederic Fontenoy

Everything in purgatory was human once. For some it’s been longer than others.

(Source: hifas)

[ 2207 ]
— 25 April
► Reblog

dimitriishere:

A selection of incredible portraits from photographer Charles Fréger’s collection and book Wilder Mann, documenting the ancient pagan rites still being practiced throughout Europe today.

From the New York Times Lens blog: 

About 10,000 years ago, humans began domesticating wild animals for both food and companionship. Over the course of centuries, animal species were bred for traits that made them docile and more useful to their masters. But as humans changed and fenced in animals, they were also domesticating themselves. The skills needed to survive in the wild were different than those needed to succeed in more complex social arrangements.

Mr Fréger was intrigued by the transformations of human being to beast that he witnessed in 18 European countries. They were, he said, celebrations of fertility, life and death and symbolized the complicated relationship between mankind and nature.

[ 11871 ]
— 23 April
► Reblog

wizzard890:

andreasmroberts:

Nicola Samori (b. 1977). Italian.

Neo-Baroque??

Nicola Samori is fucking incredible. He works out of Italy, and he’s managed to nail the style of the Old Masters: his exhibitions contain everything from beautiful Baroque saints to Flemish still lifes — all painted now, in the modern era, in his studio. And that would be amazing in and of itself, but his work is so much more than simple reproduction. See, once he’s finished with a painting, or once he’s adapted one that’s been previously created, he takes a scalpel to it, a spatula, or a square of sandpaper, and begins to peel it apart. He flays painted skin right off his subjects’ bones.

Sometimes the “destruction” of the images asks the audience to think about what, exactly, the painting communicates when it’s whole. Other times it adds a strange level of corporeality to religious works, or gives portraits a darkly spiritual dimention they never had before. 

He’s said in interviews that he views the layers of paint on the canvas as analogous to the muscle and tissue of the human body, and that by wearing it away, he changes the identity of the paintings themselves.

Dark and sometimes chilling as it is, I think his work is genuinely brilliant, and he’s one of my favorite living artists.

(Long story short, here’s his website, go check it out!)

[ 9329 ]
— 17 April
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[ 20686 ]
— 17 April
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wnycradiolab:

You probably need these.  Lots more Kyler Martz here.

[ 1268 ]
— 08 April
► Reblog

gallowhill:

Rain Shadow, 1984 by Andy Goldsworthy

[ 14 ]
— 08 April
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art-and-veganism:

Andy Goldsworthy

art-and-veganism:

Andy Goldsworthy

[ 51 ]
— 08 April
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arnasne:

Andy Goldsworthy

[ 30 ]
— 08 April
► Reblog
art-and-veganism:

Andy Goldswothy

art-and-veganism:

Andy Goldswothy

[ 97325 ]
— 11 March
► Reblog

ruineshumaines:

The Written Words, street art by Mobstr.